2011년 1월 21일 금요일

And it’s the end of the year.


Samsung Electronics has provided the author of this article with the mentioned digital imaging device.
It is time for the last post this year. In my life this year, a lot of changes occurred. The most important thing is that I was a daddy!
In this case, all the rest has become less important. Well, maybe except that I am the lucky owner of NX and EX systems.
EX1_Daniel Kulinski_01
Samsung EX1 │ 1/45s │ f2.8 │ 5.2mm │ ISO 80
So happy it happened that I am the holder almost complete set of lenses for NX10. I hope that yours Santa Claus will be generous this year.
I will meet your wishes.
NX10_Daniel Kulinski_01
Samsung NX10 │ 1/30s │ f2.8 │ 20mm │ ISO 1600
NX10_Daniel Kulinski_02
Samsung NX10 │ 1/30s │ f2.8 │ 20mm │ ISO 200
NX10_Daniel Kulinski_03
Samsung NX10 │ 1/20s │ f2.8 │ 20mm │ ISO 100
NX10_Daniel Kulinski_04
Samsung NX10 │ 1/40s │ f2.8 │ 20mm │ ISO 400
NX10_Daniel Kulinski_05
Samsung NX10 │ 1/13s │ f2.8 │ 20mm │ ISO 200
If you were good boy or girl all year round, you probably will get something cool, if you were bad, beware of bad Panda!
NX10_Daniel Kulinski_06
Samsung NX10 │ 1/40s │ f2.8 │ 20mm │ ISO 400
NX10_Daniel Kulinski_07
Samsung NX10 │ 1/125s │ f2.8 │ 20mm │ ISO 200
and wait for Christmas tree
NX10_Daniel Kulinski_08
Samsung NX10 │ 1/15s │ f2.8 │ 20mm │ ISO 800
EX1_Daniel Kulinski_02
Samsung EX1 │ 1/60s │ f1.8 │ 5.2mm │ ISO 80
NX10_Daniel Kulinski_09
Samsung NX10 │ 1/60s │ f5.0 │ 89mm │ ISO 200
NX10_Daniel Kulinski_10
Samsung NX10 │ 1/8s │ f16.0 │ 20mm │ ISO 100
In all this there is one thing that not comforted me – winter! As I do not like winter, for me, may be all the time from 25-30 degrees :)
EX1_Daniel Kulinski_03
Samsung EX1 │ 1/350s │ f1.8 │ 5.2mm │ ISO 100
EX1_Daniel Kulinski_04
Samsung EX1 │ 1/350s │ f1.8 │ 5.2mm │ ISO 100
NX10_Daniel Kulinski_11
Samsung NX10 │ 1/60s │ f2.8 │ 20mm │ ISO 200
NX10_Daniel Kulinski_12
Samsung NX10 │ 1/40s │ f4.0 │ 20mm │ ISO 100
NX10_Daniel Kulinski_13
Samsung NX10 │ 1/40s │ f4.0 │ 50mm │ ISO 800
NX10_Daniel Kulinski_14
Samsung NX10 │ 1/15s │ f2.8 │ 20mm │ ISO 200
Ah, another opportunity this year! We have a wedding anniversary – it’s the fifth!
I bought such a gift.
NX10_Daniel Kulinski_15
Samsung NX10 │ 1/25s │ f2.8 │ 20mm │ ISO 100
EX1_Daniel Kulinski_05
Samsung EX1 │ 1/60s │ f1.8 │ 5.2mm │ ISO 80
EX1_Daniel Kulinski_06
Samsung EX1 │ 1/60s │ f1.8 │ 5.2mm │ ISO 80
This time, a very humble post. The next will be better.
I wish You a happy Christmas and a happy new year!
Also remember that not everyone is happy this time and help them, please.
Best Regards
Daniel

The Aerial Photography with the Imagelogers

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On November 3, 2010, four Imagelogers boarded a helicopter in Seoul, Korea. Why? To test the features of Samsung’s mirrorless interchangeable lens camera, NX Series. So they’ll be able to test the features of the NX series from Samsung’s mirrorless interchangeable lens camera. The cold weather was a big challenge, but the fun memory will last forever. Shall we take a look at the scenery of Seoul in the fall through the lens (literally) of Samsung NX?
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After landing at the airport, our guide led us through the security check and to the helicopter landing zone; just like when you board an airplane!
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A van was waiting for us on the runway where it will take us to the helicopter.
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It was my first time riding down the runway! I felt like I was VIP. After driving for about five minutes, we arrived on the helicopter landing zone.
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Before the shooting, we gathered at the office to check the route and to receive training.
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After receiving training on check watch-outs for aerial photography, we moved to the hanger to put the safety belts on.
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For aerial photography, the helicopter doors are hung open so fastening the safety belt tightly is very important! ^^
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So, this is us, the four Imagelogers. The person on the right is very tall so he struggled with putting on the belt.
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The helicopter we will be riding is the latest EC155B1. Cool, huh?The helicopter was made by Eurocopter and can accommodate up to 12 people. This is a picture of all of us together before boarding!
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We also read the safety features manual. After we read the safety features manual, we are ready to take off!
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For safety reasons, two pilots fly together. There are so many buttons and instrument panels! I wonder what they are used for. We take off with a deafening sound from the engine.
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Everyone is excited!
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After takeoff, the doors are opened for photo shooting – and with it, the suffocating wind and roaring engine sound!
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The rope you see in the photo is literally our lifeline. Looking down is terribly frightening, but it doesn’t stop the Imageloger from clicking away on his camera.
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What you see here in the middle of the picture is the Incheon Bridge. It connects the Incheon International Airport, the gateway into Korea, with the inland.
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A bird’s-eye view of the Yeongheung Bridge.
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Not long after, the view of Seohae Bridge comes into sight.
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The two pilots steering the helicopter constantly check both sides to make sure our path is clear. They can be heard shouting: “Left clear! OK! Right clear! OK!” in turns. Wow! You are awesome!
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Catching the right angle from an aerial view was quite challenging since the helicopter moved very fast.
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Due to a slight delay in schedule, we closed the door and revved up our speed to reach Seoul. About 10 minutes later, we arrived near Seoul.
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This is the Jamsil Olympic Stadium where it hosted the 1988 Seoul Olympics.
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Seoul sure is a crowded city! Look at these tightly packed houses!
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A view of a theme park and a race track.
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After successfully shooting for some two or so hours, we finally landed. The aerial photography with the Imagelogers of Samsung Electronics was indeed a memorable experience full of clear skies, fascinating landscape and excellent camera function!

New Year at Tokyo

New Year at Tokyo_ST100_01
Samsung ST100 │ 1/45s │ f3.6 │ 6mm │ ISO 160

あけましておめでとうございます。

This is a letter from Tokyo at New Year season. I wish all your happy new year!!

New Year at Tokyo_ST100_02
Samsung ST100 │ 1/15s │ f3.6 │ 6mm │ ISO 400

There are many illumination sites in Tokyo at Christmas & New Year season.

New Year at Tokyo_ST100_03
Samsung ST100 │ 1/15s │ f3.6 │ 6mm │ ISO 400

New Year at Tokyo_ST100_04
Samsung ST100 │ 1/20s │ f3.9 │ 11mm │ ISO 640
I’ve heard Aoyama is the most beautiful one of them this year, so I went there to take pictures the scenery. Unfortunately, it was prohibited cross the pedestrian overpass, so I couldn’t take overlooking views. It was crowded with people shopping and taking photos.
New Year at Tokyo_ST100_05
Samsung ST100 │ 1/20s │ f3.9 │ 11mm │ ISO 400

New Year at Tokyo_ST100_06
Samsung ST100 │ 1/30s │ f3.7 │ 8mm │ ISO 400

I didn’t controlled anything with my camera, I just fixed to SMART function, which was automatically well-controlled according to the lightness, distances to the subjects. It was really convenient.
New Year Day is considered by most Japanese to be one of the most important annual festivals and has been celebrated for centuries with its own unique customs.

New Year at Tokyo_ST100_07
Samsung ST100 │ 1/60s │ f3.6 │ 6mm │ ISO 80

People decorate front door of their houses to celebrate new year and wish good luck. They call it “kadomatu”, which means pine of door. I could find many kinds of decorates in my town as well.

New Year at Tokyo_ST100_08
Samsung ST100 │ 1/45s │ f3.6 │ 6mm │ ISO 200

New Year at Tokyo_ST100_09
Samsung ST100 │ 1/45s │ f3.6 │ 6mm │ ISO 100

New Year at Tokyo_ST100_10
Samsung ST100 │ 1/60s │ f3.6 │ 6mm │ ISO 100

New Year at Tokyo_ST100_11
Samsung ST100 │ 1/60s │ f3.6 │ 6mm │ ISO 80

Do you know that this year is the year of rabbit? This year, rabbits might bring a fortune to you. Happy new year again!!

New Year at Tokyo_ST100_12
Samsung ST100 │ 1/45s │ f3.6 │ 6mm │ ISO 120

Samsung TL500/EX1 Review


Review based on a production Samsung EX1
As DSLRs have become less expensive, the number of people keen to buy high-end, manually controllable compact cameras has fallen away - so long as camera size isn't an issue, the benefits of a larger sensor are hard to resist. However, because size is a concern for some people, the sector didn't die-off entirely and, in July 2008, Panasonic introduced the DMC-LX3, finally giving an alternative to Canon's well-respected G-series.
Now Samsung, another vast electronics specialist wanting to show off its photographic credentials has introduced the TL500 (EX1 outside North America), a pretty little thing that follows the LX3 recipe of a fast, wide (though reach-limited) zoom lens in a fairly compact metal body. The Samsung offers an impressive F1.8-2.4 zoom lens that covers a range from the very wideangle 24mm equivalent out to 72mm equiv. making it a fraction faster than the LX3 at the wide end and a touch longer at the other.
The other standout feature of the TL500 is undoubtedly its rear screen - not only does it have a fully articulated screen, it also has the excellent VGA-equivalent OLED screen we first saw on the NX10. In principle OLED screens can be more efficient and offer greater contrast than LCD panels because they can selectively light just the pixels that need to be illuminated. They also promise greater viewing angles.
In many other respects the TL500 closely mimics the LX3's design though it adds a direct video record button, despite only offering rather dated VGA video recording. This limitation, coming from a 10MP, 1/1.7" CCD, strongly suggests the camera is based around the same high sensitivity Sony sensor as the Canon G11 and S90.
Overall it's an impressive specification, packing a lot of desirable features, such as RAW capability and easy manual control into its stylish form.

Samsung TL500 Key Features

    24-72mm equivalent F1.8-2.4 image stabilized lens
    10 million pixel 1/1.7" sensor (0.43 cm²)
    Front click dial and rear control dial
    RAW shooting
    3.0 inch VGA-equivalent articulated OLED screen
    Accessible manual controls
    Optical Image Stabilization
    Smart Mode with automatic scene detection
    VGA output
    HD output

Side by side

It's clear from this picture that the Samsung isn't as small as the Panasonic LX3 that has clearly played heavily on the minds of its designers. Canon's S90 is smaller still, however the TL500/EX1 isn't as large as Canon's G11.
The TL500 is slightly larger in every dimension than Panasonic's LX3, which is itself larger than the S90


The flip-out screen helps ensure the TL500 can't quite match the LX3 for compactness, though it will still fit in a coat pocket easily enough, providing always-with-you convenience

Samsung TL500/EX1 specifications

Samsung: the future of the NX system

With Compact System Cameras set to out-sell DSLRs by 2015, Samsung is setting its sights high for NX to be the number one seller in the CSC sector

    Samsung VP Digital Imaging, Mr JW Kim
    Although the Samsung NX11, announced at this year's Consumer Electronics Show (CES) 2011, showed some progression in the NX-series' release schedule, it would appear that there's plenty more to come in the very near future.
    What Digital Camera was lucky enough to visit Samsung HQ in Seoul, South Korea, and even got an insight into the factory production line in Busan, to the southern side of the country. As well as proving what an impressive and staggering job it is to make any one camera or lens from start to finish, scratching at the surface revealed that there's plenty more we can anticipate from the NX range in the fairly immediate future.

    Samsung NX lenses roadmap

    With the entire range of NX lenses now set to be i-Function capable, the announcement of a ‘Movie Pro' 18-200mm f/3.5-5.6 OIS, 16mm f/2.8, 60mm f/2.8 OIS Macro, ‘Portrait' 85mm f/1.4 and ‘Movie Home' 16-80mm f/3.5-4.5 OIS all due for release inside 2011 is a firm and ongoing commitment to the NX series. In an interview with Jeong Wook Kim, Vice President of Samsung Digital Imaging, we found out details of a proposed lens factory move - a move that will provide yet more capable new premises to enhance the company's capability to make larger diameter lenses, up to 50mm. In addition output will be increased, and seeing as 2010 saw the production of some 18-million lenses, that certainly shows Samsung's up-and-coming rule of the optical world. It can also only suggest one other thing: that faster, brighter apertures and longer, more professional telephoto lenses are likely to be around the corner, the kind of lenses that aren't (as yet) available for any other Compact System Camera and could see future NX releases firmly set apart from the competition.
    Samsung Lens Production Factory, Busan, South Korea
    Inside Samsung's lens production factory, Busan, South Korea
    Although the big bosses confirmed a commitment to making five new lenses a year - a feat that they say no other Compact System Camera manufacturer is capable of - there was no specific comment as to what these lenses would be from 2012 and beyond. However, in discussion with the R&D team, it came to light that a prototype 700mm lens had already been made for the NX-mount, promptly followed by a very impressive close-up image of a full moon as shot using that very lens. And if such optical prowess is already a possibility for the system, though not yet commercially feasible, then the future of NX lens releases should be very strong, even professional-grade.

    Samsung NX: A new beginning

    Mr Kim disclosed that the move away from the GX-series DSLR system and, indeed, from the partnership with Pentax, was a decision to ‘think about how to focus on the camera business,' in order to put the company one step ahead of its rivals. Revealing a frank commitment to the NX-series, Mr Kim stated that, ‘we think the timing is right to create this new (NX) camera system, and if we lost out on more time then we'd be the latecomer in the market again and then we would repeat the same failure (GX DSLR).' However he was quick to assert an ongoing and good relationship with Pentax, and didn't rule out the possibility of future collaboration.
    Come 2015, according to both Samsung and other analysts, the Compact System Camera market is set to overtake DSLR sales by volume, so a focus on this area of the business certainly seems like a shrewd move. Confident of the NX system's larger-than-Micro-Four-Thirds APS-C sized sensor, the company's target is the be the number one camera seller in five years' time.
    Enquiring as to whether other sub-categories such as Sony's latest ‘SLT' (Single Lens Translucent) technology would be considered for production in the future, Mr Kim saw a clean-cut division between DSLR and Compact System Camera, with SLT firmly rooted in the former category: ‘Now the market is shifting to Compact System Camera - there will be two segments for interchangeable lens cameras (DSLR and CSC). Although professionals may continue to use DSLR, the SLT category will only attract a small portion of new DSLR users, not Compact System users that want the high quality.'

    Samsung NX and the importance of video

    And it's not just stills that were the hot topic of discussion. When developing the NX system, video functionality was certainly of key importance, and Mr Kim is keen to point out that development saw a lot of thought about different segmentation, including the possibility of a camcorder-like NX release: ‘Video recording is getting more important and more popular. We know that trend and Samsung is already very strong in video products, so we've always worked together with those other (Samsung) departments. When we first developed the NX system we put an ‘NX-movie' release on the roadmap. This will focus on the video function, and how to create video more conveniently; how to meet the demand for better quality video recording.'
    As the NX series progresses, so too will its video-capability. Enquiring about the future of high definition, the team revealed that Super High Definition 4K2K is something being considered for the company's stills cameras as soon as 2013, and that ‘every option is being considered and worked on,' though without any definitive solution as to what may see the light of day and when.

    The future of Samsung NX

    Samsung NX11 smAlthough details aren't one hundred percent concrete as to exact product releases, all paths point to the development of Samsung's NX series into a more rounded, complete and, we suspect, professional solution. Although there are only three UK camera bodies - the NX10, NX11 and NX100 - in production at present, the lens map and other information would suggest there will be yet more bodies in the future: to encompass the full range of quality, style, video and pro-grade capture. All we can do for now is watch this space, but from what we've seen Samsung is certainly putting its all into the digital imaging business and it looks like it'll pay off...